的送别文化就相当复杂——送别诗词、饯行酒席以及临别时送予对方的绘画或书法都是送别文化的一部分。在没有飞机、火车、高铁，没有微信、电话哪怕连座机的都没有古代，只有鱼笺尺素和舟车行旅，那临别一刻互赠的诗词书画中所寄予的离愁别绪，深刻而复杂。
比如：桌面上这幅普安晋爵图！
1693年，官员杨青村要去贵州一个叫普安的地方上任，大画家王翚为他画了一幅画，叫做《普安晋爵图》。话说当时，普安这地方设县不过二十年，地处云贵高原，穷山恶水，“晋爵”二字实在无从谈起，这也可看出王翚作为朋友的善意。
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"王翚普安晋爵图 立轴
div杨青村要去上任的普安县城，在当时是一个四面环山的孤城，清代初期之时被称之为“黔末之地”，在穷省贵州都不算是好地方。但王翚把普安画得就像气暖物丰的江南之地，很有可能是王翚也不知道普安是啥样，只好按照自已的一贯风格画一张，也有人说，这是王翚对杨青村的认可，只要杨青村到任，普安这地方，一定能变的山清水秀，美丽富饶，不过普安到底是啥样并不重要，临别的拳拳之心才重要。
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